Rick Barot's "Magnolia"
MAGNOLIA
It gets told, holds fast or it doesn’t,
and like rain brings back a thing more
than just itself, one more small noise
appearing in the laundromat, small bird
or cell-phone ring suddenly chirping,
one more office for the eye and ear
to momentarily inhabit, the work of my
nearness that much more urgent, now
there is this story I can tell you about,
now I have you listening, the way
the radiator has kept us listening all of
these nights, the din of its dreaming
the noise of picks and axes deep inside
a mine, the steam in its pipes forcing
a drowsiness on the miners, listening
for some other dream it could have:
say, that two people are quiet within
the cold light of an all-night laundromat,
the only thing open this late, this dark,
one of them telling a story of the dead
president traveling days past the big
and small towns, his train a vivid grief
of flowers thrown by the townspeople
beside the tracks, one telling this
story while the other only half listens,
until the story gets to the part about
the summertime heat, the body traveling
for days, the flowers a necessary cover
for the smell the body is giving out,
there is this other way that flowers can
mean something, not just mourning, not
just beauty, but a necessity that keeps us
awake through the story, the radiator’s
other dream, half of their clothes making
a psychedelic circle of colors spinning
in the glass of a dryer, the white clothes
spinning in another dryer, like a magnolia
opening and destroying itself over and
over, the image a nearness, my being
near, my being afraid that this is already
the past I will remember in the future,
this is the meat that the mind’s mandibles
get to have, dying, because death gets
to have all it wants: say, the doctor’s
funhouse reflection in the patent-leather
shoe of the dead president, the boy who
finally understands that the secret to
getting hit is knowing that you will be hit,
the flight attendant mis-speaking to us
as the plane glided toward the starry field
that we would be in the ground shortly,
and though I laughed at that, I knew
I would find the right word for you, place
it into her mouth, the flower of it in her
mouth, I would correct the world in this
manner, because you are listening, it is
raining outside the laundromat, the driest
part of your body the small of your back.
*****
Biography: Rick Barot's first book of poems, THE DARKER FALL, was published by Sarabande Books. He has poetry and prose in recent and upcoming issues of "TriQuarterly," "New England Review," and "Virginia Quarterly Review." This fall he will begin teaching at Pacific Lutheran University in Tacoma, Washington.
It gets told, holds fast or it doesn’t,
and like rain brings back a thing more
than just itself, one more small noise
appearing in the laundromat, small bird
or cell-phone ring suddenly chirping,
one more office for the eye and ear
to momentarily inhabit, the work of my
nearness that much more urgent, now
there is this story I can tell you about,
now I have you listening, the way
the radiator has kept us listening all of
these nights, the din of its dreaming
the noise of picks and axes deep inside
a mine, the steam in its pipes forcing
a drowsiness on the miners, listening
for some other dream it could have:
say, that two people are quiet within
the cold light of an all-night laundromat,
the only thing open this late, this dark,
one of them telling a story of the dead
president traveling days past the big
and small towns, his train a vivid grief
of flowers thrown by the townspeople
beside the tracks, one telling this
story while the other only half listens,
until the story gets to the part about
the summertime heat, the body traveling
for days, the flowers a necessary cover
for the smell the body is giving out,
there is this other way that flowers can
mean something, not just mourning, not
just beauty, but a necessity that keeps us
awake through the story, the radiator’s
other dream, half of their clothes making
a psychedelic circle of colors spinning
in the glass of a dryer, the white clothes
spinning in another dryer, like a magnolia
opening and destroying itself over and
over, the image a nearness, my being
near, my being afraid that this is already
the past I will remember in the future,
this is the meat that the mind’s mandibles
get to have, dying, because death gets
to have all it wants: say, the doctor’s
funhouse reflection in the patent-leather
shoe of the dead president, the boy who
finally understands that the secret to
getting hit is knowing that you will be hit,
the flight attendant mis-speaking to us
as the plane glided toward the starry field
that we would be in the ground shortly,
and though I laughed at that, I knew
I would find the right word for you, place
it into her mouth, the flower of it in her
mouth, I would correct the world in this
manner, because you are listening, it is
raining outside the laundromat, the driest
part of your body the small of your back.
*****
Biography: Rick Barot's first book of poems, THE DARKER FALL, was published by Sarabande Books. He has poetry and prose in recent and upcoming issues of "TriQuarterly," "New England Review," and "Virginia Quarterly Review." This fall he will begin teaching at Pacific Lutheran University in Tacoma, Washington.
2 Comments:
great poem!
thanks for posting this
Hello Lorna, you're very welcome. Thanks for reading and posting!
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