Asian American Issues of Poetry Magazines
The Indiana Review recently did a "special" issue on Asian-American poets. The issue of "Asian-American issues" presents a conundrum analogous to having February as "Black History Month" or May as "Asian Pacific American Heritage Month." (I don't think that South Asians have a "history month," and I'm not exactly sure why.)
On the one hand, you are segregating an entire ethnic group. But on the other hand, without these months, you might under-include, or entirely exclude, the histories or poetries of minorty groups. I had a history teacher who told us that he did not believe in Black History Month, because blacks should not be segregated like that.
I think I have less of a problem with Asian Pacific American Heritage Month than with Black History Month, because the under-inclusion or exclusion of Asian Pacific American history is so much more severe. I think, from K-12, I was literally taught nothing about Asian American history. I learned it all in college. Similarly, I don't have too much of a problem with "Asian-American poetry" issues, though we might want to ask ourselves why Asian-American poets need these special issues and whether the problem of underrepresentation may be better remedied by greater inclusion in "regular" issues.
On the one hand, you are segregating an entire ethnic group. But on the other hand, without these months, you might under-include, or entirely exclude, the histories or poetries of minorty groups. I had a history teacher who told us that he did not believe in Black History Month, because blacks should not be segregated like that.
I think I have less of a problem with Asian Pacific American Heritage Month than with Black History Month, because the under-inclusion or exclusion of Asian Pacific American history is so much more severe. I think, from K-12, I was literally taught nothing about Asian American history. I learned it all in college. Similarly, I don't have too much of a problem with "Asian-American poetry" issues, though we might want to ask ourselves why Asian-American poets need these special issues and whether the problem of underrepresentation may be better remedied by greater inclusion in "regular" issues.
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